Welcome, and thank you for stopping. It is very kind of you to do so. There are so many demands on our time and attention so I appreciate you taking the effort to pause here a moment.
My name is Stephen Taylor. I work full time (as an e-learning developer and instructional designer) but in my spare time I take photographs. You can view some of my work on this website. Some of it is also for sale on Alamy and nuMonday, either as digital downloads or physical prints. More of my photographs can be found on Flickr and Instagram as well.
We are always learning (I learnt that in my early days as a trainer) and this blog is a part of my learning process (and possibly yours?). Some of the postings will be on the subject of photography itself, based upon my reading on the subject and viewing other photographers’ works. Other postings will be on my experiences as a photographer seeking to improve my art; some of these will be less about the photographic process and more about the subject itself.
I am sharing them because I hope that people will respond with their own ideas so that together we can learn. I am not an expert in the subject but I am happy to share my thoughts and to have them challenged. I hope that in some respects this blog can become a conversation on the subject of photography.
Today’s photograph was taken nine years ago in 2014.
When I have visitors come up to London we usually meet at Waterloo Station so I have got to know the area very well over the years, including the Southbank Centre full of corners and alcoves, many of them used for alternative activities, such as skateboarding:
Another photograph from my archive and, again, taken in Prague on this day in 2016. This one shows the old Jewish Cemetery in Žižkov. Much of the cemetery was destroyed when the Žižkov Television Tower was built almost on top of it in the 1980’s.
I don’t know much about geometry but I do know an aesthetically pleasing photograph when I see one.
In fact most of us can, and the reason is geometry, or more precisely the geometric shapes such as squares, triangles, circles and lines that make up patterns that form the image.
Our brains are hardwired to see patterns in all sort of ways not just in photographs but in our everyday lives in the events that happen around us. It could be that our ability to recognise patterns in the real world kept us alive when we were hunters and, sometimes, the hunted. Learning to recognise that the sound of the bushes rustling was often followed by a large predatory beast looking for its lunch helped keep early humans alive.
Patterns also appear in data, and being able to recognise those patterns can help us solve a problem with the data. Once we have broken it down into individual patterns it makes it easier to solve, and quicker to do so next time.
Patterns also help us make sense of the world, bringing order out of chaos. Without patterns there would be anarchy. Of course there are occasions when we see patterns even if they don’t exist. It is attempts to make sense out of random events that can lead to conspiracy theories.
When we come to photographs patterns are the building blocks; they can be shapes, textures, shadows. They can create a sense of balance or rhythm through reptition or symmetry. Alternatively, breaking the pattern up can create tension in the photograph.
Here are a few examples of my own work which in different ways display examples of patterns.
This photograph of a wooden fence is made up of a series of shapes, circles, rectangles, a hexagon and a horseshoe(!)
It is also worth pointing out that in this, and in all the other images below, there is an extra shape; the square or rectangular border of the image itself. When thinking about shapes, it’s worth considering that as part of the composition.
A very obvious shape is a circle such as this shadow of a garden table. Interestingly we cannot actually see the entire circle because it is broken by the leg of the chair. Our minds however still perceive the complete circle, making up the messing part. The chair adds a degree of interest to the photograph, breaking up the shape. It would be a very much less interesting photograph if it were just the circle.
Patterns work well when they are repeated such as in the black lines of these railings in the foreground. A repetitive pattern can be a bit boring, though. Adding a contrasting element can make it a bit more interesting. In this example the softer shape of the plant, creates a juxtaposition between its more amorphous structure and the strong lines of the fence.
We can see patterns in many forms and different types of photographs. In this example of street photography the shadows cause a striking pattern but you also have the bench and the drain cover in the foreground, creating a wide range of geometric shapes across the picture.